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Studies

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Four covers, four systems.

Self-directed typographic work. No client, no brief. Each one sets a rule for how letters are built and then follows it to the end of the page.

Common Market: a linen-bound book cover in stone grey. COMMON MARKET set in heavy geometric capitals built from circles and wedges, above a panel of red, yellow, white and black circles and half-circles.
01

Common Market

Letters cut from the same circles and wedges as the panel beneath them, so the title and the illustration are made of one alphabet of shapes. Red, yellow, white, black on stone.

Counterform: a black book cover filled edge to edge with cream geometric letterforms spelling COUNTERFORM, built from arcs, half-rounds and triangles so the shapes between them read as strongly as the letters.
02

Counterform

Every letter is assembled from a small kit of arcs and straight edges, packed until the gaps between them carry as much weight as the strokes. The title is the method.

Second Skin: a bone-coloured cover with SECOND SKIN set in a very high-contrast condensed serif, each letter wrapped by a dark red ribbon that folds through and behind the strokes.
03

Second Skin

A high-contrast serif with a second surface folded through it. The ribbon behaves like cloth on a body: it follows the stroke, passes behind it, and changes the letter without redrawing it.

Hound Error: a houndstooth check printed edge to edge, ordered at the top left and breaking apart down the diagonal until the broken teeth reassemble into the words HOUND ERROR. One tooth near the centre is printed cobalt blue.
04

Hound Error

A houndstooth loses its grid along a diagonal and reassembles as the title. One tooth is printed blue: the place the error starts.

The system under each one

CATEGORIES 01 GRAIN THE INDEX 01 GRAIN02 CITRUS03 OIL 04 TEXTILE05 SALT06 WINE 07 IRON08 TIMBER09 GLASS
01Common Market

Nine categories built from the same circles and wedges, and one of them at full page size.

THE PARTS ROUNDHALFQUARTER BARWEDGEARCH ASSEMBLED ROUND − BARROUND + ROUND BAR + HALF + WEDGE
02Counterform

The kit laid out (round, half, quarter, bar, wedge, arch), and C, O and R built from it over the construction grid.

ONE LETTER, TWO SURFACES THE RIBBON PASSES IN FRONT ON THE LEFT AND BEHIND ON THE RIGHT 01 THE DRAWING 02 THE SURFACE THE LETTER CHANGES. THE DRAWING DOES NOT.
03Second Skin

One letter at full size with the ribbon crossing it, then the drawing and the surface shown apart.

FOUR STATES 01 ORDER03 DISTORTION 02 ERROR · ONE TOOTH TURNS04 RECOVERY · IT SETTLES AS A LETTER
04Hound Error

The four states in order: whole, one tooth out of true, the grid apart, and the teeth settled as a letter.

The same rule, running.

The printed cover is one frame of this. Every tooth knows where it sits, whether it falls inside the letterforms, and how close the error front has come. Teeth in the front displace and turn; behind it the check comes back, never quite square again, and the teeth the words need have packed solid. One tooth is cobalt: the seed.

About a quarter of the field is disturbed at any moment, so the pattern is always legible as a pattern. Canvas, no libraries. It pauses off screen and holds one still frame for anyone who asks for reduced motion.

The cover is the piece. This is what it does.

About these

Four studies, made to work out a typographic idea at book scale. No client and no brief. The covers are the finished artefact, made digitally; Hound Error is the only one that also exists as code.

Where the graphics land · 05 Ümbe Apparel